|
|
|
| |
Modern fingerpicking styles grew from
the techniques of Country Blues Artists
who recorded in the late 1920s and early 1930s. Following close
on their heals were country pickers such as Sam McGhee, Ike
Everly,
Merle
Travis and eventually the great Chet
Atkins. Atkins inspired scores of guitarists all over the
world such as Marcel
Dadi.
In the "folk boom" of the late 1950s and early 1960s
more "uptown" city types began to learn and adapt
the techniques of the early bluesmen. Many kept within the genre, but others adapted the techniques. Dave
Van Ronk, Eric
Schoenberg, Dave Laibman and others transcribed classic
piano ragtime compostions for guitar.
Brits Davey Graham
(the "inventor" of DADGAD tuning), Bert
Jansch, John
Renbourn,
Richard Thompson and others applied these techniques to Celtic
melodies, Indian scales and other style tunes. John
Fahey , Robbie
Basho and Leo
Kottke specialized in composition and brought a more self-conscious "seriousness" to the style.
By the end of the 1960s the idea of a steel string guitar
as solo concert instrument was fairly well established.
|
|